| the song | |
|---|---|
| title : | Glasgow star |
| written by : | Eddi Reader and Teddy Borowiecki |
| song copyright : | © 1996 Warner Music UK Ltd |
| Eddi said |
|---|
|
Autobiographical really. Inspired in the main by a million
memories of my upbringing: winchin up a close. Georges
Square at midnight on a Saturday. Busking in the centre of town,
etc... |
| Candyfloss and medicine press release |
| the performance | |
|---|---|
| musicians | |
| Eddi Reader | lead vocal, vocal percussion |
| Teddy Borowiecki | piano, accordian |
| Calum MacColl | guitars, penny whistle |
| David Piltch | electric bass |
| Roy Dodds | drums and percussion |
| with : | |
| Kat Evans | fiddle |
| Anthony Thistlethwaite | mandolin |
| music | |
|---|---|
| key : | C major |
| time-signature : | 6/8 |
| tempo : | MM 62 |
| form : | VR VR vR VR VR vR N |
| lyrics |
|---|
|
provided for research and private study only (see above for copyright details): Glasgow star
theres a yellow star Im here for days like these
and Im walking down the middle of the
Great Western Road
Im here for days like these
whistle solo
there was Mary, Madge and me {Im here for days like these} I was here for days like these
now Im sitting on the last bus home
Im here for days like these
whistle solo |
| explanations |
|---|
|
Honeychildren regulars will know that the albums Mirmama and Candyfloss and medicine were and are released without lyric sheets/booklets, leading to all sorts of guessing games over the years the Honeychildren mailing list existed (1996-2005). By sharing interpretations, and with occasional input from Boo and Eddi themselves, a fairly accurate set of lyrics has been arrived at. The booklet supplied with the Japanese version of Mirmama (Eddi Reader) and later with the compilation album Seventeen stories (containing parallel English and Japanese texts), helped clear up a few of the remaining lacunae (see All or nothing and Honeychild for example), but when it comes to the present track the chief effect is to muddy the waters! In verse one, the sandstone doorway is presumably that of a Glasgow tenement (apartment building) since a lot of these are built of red sandstone. The Great Western Road is the main road out of Glasgow to the western highlands (the A82). It passes through the suburbs of Hillhead, Kelvinside, Knightswood and Drumchapel, heading intitally for Dunbarton. The first three miles or so are dead straight. Even Im not old enough to remember silver pennies and some poetic license is obviously at work there. Buchanan Street is in Glasgow city centre, running north-south near the Central railway station; part of it is now pedestrianised. Until the 1960s it had its own railway terminus and I believe that area is now a shopping-centre. There is a suggestion that smoking black, shooting the breeze refers to soft-drug taking, but never having indulged, I would welcome confirmation of this. Of course, they could just be references the windy and soot-covered nature of parts of Glasgow! Im sorry I dont know whether Brian is a real person or just a character in the song. Rangers is one of the two main football (soccer) teams in Glasgow. Their rivalry with Celtic is emblematic, and sometimes more physically demonstrative, of the Protestant/Catholic divides in the city, hence the reference to shut your Proddy [= protestant] mouth |
| the recording | |
|---|---|
| personnel | |
| produced by : | Eddi Reader and Teddy Borowiecki |
| recorded by : | Gerry ORiordan assisted by Dan Gilliland, Mark Chambers and Ron Warshow at The Snake Ranch, Lots Road, Chelsea, London; and David Bottrill assisted by Adrian Scarff and Simon Wall at Eden Studios, Acton, London (vocals) |
| mixed by : | David Bottrill at Eden Studios, Acton, London |
| mastered by : | Tim Young at Metropolis |
| technical | |
|---|---|
| track timing : | 4:51 |
| recording copyright |
|---|
|
|
| released on | ||
|---|---|---|
| album : | Candyfloss and medicine (UK, Japan) | track 1 |
| album : | Candyfloss and medicine (US) | track 1 |
| album : | Seventeen stories: the best of Eddi Reader (comp.) | track 8 |
| commentary |
|---|
|
Regarding Eddis
comment,
Georges Square crops up in the song
Medicine
on the same
album. In the fade out you can just hear some extra vocals, which dont occur in the verses and refrain of the song. First up is Hail Mary full of grace which is the start of the Roman Catholic Ave Maria or Hail Mary, a prayer used, among many other things, as a penance; it may have been suggested by the verse about Mary, Madge and me which is re-quoted just before. Secondly there are some words which I cannot catch, roughly ... your [...] face (any ideas anyone?). |
| Adrian Dover |
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