| the song | |
|---|---|
| title : | Battersea moon |
| written by : | Eddi Reader and Teddy Borowiecki |
| song copyright : | © 1994 Warner Music UK Ltd |
| the performance | |
|---|---|
| musicians | |
| Eddi Reader | vocal, backing vocals |
| Teddy Borowiecki ? | accordion, keyboards |
| Dean Parks ? | electric and acoustic guitars |
| David Piltch ? | bass guitar |
| Curt Bisquera ? | drums |
| music | |
|---|---|
| key : | D major (but see commentary below) |
| time-signature : | 4/4 |
| tempo : | MM 104 |
| form : | V V C V m C V C N |
| lyrics |
|---|
|
provided for research and private study only (see above for copyright details): Battersea moon
du-du-du-du-doo, hi-ya
the moon it makes me evil
theres something about the light oh-ah-ow, how many times I would dance, yeah
I found a crack in heaven
oh-ah, la-di-da, la-ah
my sister says youre nothing
oh-ah-oh, oh, how many times I would dance, I would dance
{heres the moon, Im a millionaire |
| explanations |
|---|
| Battersea is an inner suburb of London, about three miles south-west of Charing Cross. Eddi lived near this area at the time and it also makes an appearance in the song Rebel angel on the Candyfloss and medicine album. |
| the recording | |
|---|---|
| personnel | |
| produced by : | Greg Penny |
| recorded by : | Jon Ingoldsby at El Mirador, Ojai, California. ? |
| mixed by : | Jon Ingoldsby assisted by Andy Strange at Air Studios, London ? |
| mastered by : | ? at ? |
| technical | |
|---|---|
| track timing : | 4:07 |
| recording copyright |
|---|
|
|
| released on | ||
|---|---|---|
| single : | Dear John 7" and MC only | track 2 |
| commentary |
|---|
|
An intriguing song, with excellent use of the imagery of moon-light
grey, white, cold, blue, dark, night. One suspects that the first verse refers,
more or less obliquely, to the female menstrual cycle. The final verse at least
is clear in meaning My sister says youre nothing / I know
its true... / but Im half alive / and I need you here
tonight. The effect of unfulfilled longing is underpinned by the music. The verse has a see-saw bass line which anchors it firmly round the dominant chord, with a regular progress through the series of chords V-I-IV-II-I-IV-I-V-I-IV-I-V, and the chorus uses the fairly common IV-V-I-V cycle, which also emphasies V. Even the modulation in the middle eight only makes it as far as II# (the dominant of the dominant). This continual circling gives the song a wonderfully claustrophobic feel, rather as in the later Shall I be mother. This is actually one of my favourite Eddi songs and Im only sorry that it isnt available on CD, so I have to rely on the 7-inch single and a fragile cassette copy. At least Im luckier than all you folks out there whove never heard it at all! |
| Adrian Dover |
you may wish to return to the
Honeychildren menu
or the
track index
or go to the
full discography